This is a paper that is written in relation to a rotoscope painting animation film project that the researcher is currently working on. The film, in a way, is about women. By interpreting both their tangible realities and inner spaces, polar entities co-exist in a way that seems to cancel their disparity.The project includes moving images of painted spaces and architectures that work within the context of the film as psychological doors to the otherness of the self, a mirror, or a medium to express dreams, psychosis and the unconscious mind.
Konstantarakos . Myrto (ed) 2000 . Spaces in European Cinema .Forgacs, David , Antonioni : space ,place ,sexuality. pp. 101-111 . Chigaco : Intellect Books,.University of Chicago Press
Marks. Laura U. 2000.The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses.Durham and London: Duke University Press,.
Van Duyn,Edna (ed.) 2008. Michaël Borremans: Weight . Coimbra: CAV ,Centro de Artes Visuais
Mulvey .Laura 1975. Visual Pleasure and Narrative Cinema.Screen volume 16(issue 3) : pp.5-17
Grant ,Catherine 2011.Touching the Film Object?. Notes on the 'Haptic' in Videographical Film Studies. http://filmstudiesforfree.blogspot.com.eg/2011/08/links-on-videographical-film-criticism.html (28 Febru-ary 2017)
Mark ,Sinclair 2008. Andrei Tarkovsky: Film and Painting.Creative Review.
https://www.creativereview.co.uk/andrei-tarkovsky-film-and-painting/ (1March 2017)
Totaro .Donato , 2002 ,Deleuzian Film Analysis:The Skin of the Film .Volume 6( issue 6 ). Online essay http://offscreen.com/view/skin_of_film (24Feb 2017)