The Impact of Societal Transformations on the Urban Spaces During the Local Festivals
Main Article Content
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- The Work is the Author's original work;
- The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- The Work is not pending review or under consideration by another publisher;
- The Work has not previously been published;
- The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- The Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Avdikos, V. (2011). Local hegemonic blocs: The case of tourism in Rhodes. European Urban and Regional Studies, 18(1), 77-92.
Baerenholdt, J. O., & Haldrup, M. (2006). Mobile networks and place making in cultural tourism: Staging Viking ships and rock music in Roskilde. European Urban and Regional Studies, 13(3), 209-224.
Derrett, R. (2003). Making sense of how festivals demonstrate a community's sense of place. Event Management, 8(1), 49-58.
Frey, B. S. (2000). The rise and fall of festivals: reflections on the Salzburg Festival. Working paper/Institute for Empirical Research in Economics, 48.
Gardiner, M. E. (2004). Wild publics and grotesque symposiums: Habermas and Bakhtin on dialogue, everyday life and the public sphere. The Sociological Review, 52, 28-48.
Getz, D. (2008). Event tourism: Definition, evolution, and research. Tourism management, 29(3), 403-428.
Gibson, C., & Davidson, D. (2004). Tamworth, Australia 39;s ‘country music capital’: place marketing, rurality, and resident reactions. Journal of Rural Studies, 20(4), 387-404.
Gursoy, D., Kim, K., amp; Uysal, M. (2004). Perceived impacts of festivals and special events by organizers: an extension and validation. Tourism management, 25(2), 171-181.
Hayes, D., & MacLeod, N. (2007). Packaging places: Designing heritage trails using an experience economy perspective to maximize visitor engagement. Journal of vacation Marketing, 13(1), 45-58.
Herrero, L. C., Sanz, J. Á., Devesa, M., Bedate, A., & Del Barrio, M. J. (2006). The economic impact of cultural events: a case-study of Salamanca 2002, European Capital of Culture. European urban and regional studies, 13(1), 41-57.
Herrero, L. C., Sanz, J. A., Devesa, M., Bedate, A., & Del Barrio, M. J. (2007). Economic impact and social performance of cultural macrofestivals. Cultural Tourism: global and local perspectives, 303-323.
Hiller, H. H. (1995). Conventions as mega-events: A new model for convention-host city relationships. Tourism management, 16(5), 375-379.
Jamieson, K. (2004). Edinburgh: the festival gaze and its boundaries. Space and Culture, 7(1), 64-75.
Johansson, M., & Kociatkiewicz, J. (2011). City festivals: creativity and control in staged urban experiences. European Urban and Regional Studies, 18(4), 392-405.
Lorentzen, A. (2009). Cities in the experience economy. European Planning Studies 17: 829–845.
Morgan, M. (2007) Festival spaces and the visitor experience, in: M. Casado-Diaz, S. Everett and J. Wilson (Eds). Social and Cultural Change: Making Space(s) for Leisure and Tourism, pp. 113–130 (Eastbourne, UK: Leisure Studies Association).
Morgan, M., Elbe, J. & De Esteban Curiel, J. (2009) Has the experience economy arrived? The views of destination managers in three visitor-dependent areas. International Journal of Tourism Research, 11(2): 201–216.
Quinn, B. (2005). Arts festivals and the city. Urban Studies 42: 927–943.
Ravenscroft, N. & Gilchrist, P (2009). Spaces of transgression: Governance, discipline and reworking the carnivalesque. Leisure Studies, 28(1), pp. 35–49.
Saayman, M. & Saayman, A. (2006). Does the location of arts festivals matter for the economic impact? Papers in Regional Science 85:569–584.
Smith, A. & Von Krogh Strand, I. (2011). Oslo’s new Opera House: Cultural flagship, regeneration tool or destination icon? European Urban and Regional Studies, 18(1): 93–110.
Stevens, Q. & Shin, H. (2014). Urban Festivals and Local Social Space. Planning, Practice & Research, 2014, 29(1), pp. 1–20,
Stevens, Q. (2006). The shape of urban experience: A reevaluation of Lynch’s five elements. Environment and Planning B: Planning and Design, 33, pp. 803–823.
Van Aalst, I. & Van Melik, R. (2011). City festivals and urban development: does place matter? European Urban and Regional Studies, 19(2) 195–206
Willems-Braun, B. (1994). Situating cultural politics: Fringe festivals and the production of spaces of intersubjectivity. Environment and Planning D: Society and Space, 12, pp. 75–104.
Yeoman, I., Robertson, M., Ali-Knight, J., Drummond, S. & McMahon-Beattie, U. (eds) (2004) Festival and Events Management. An International Arts and Culture Perspective. Oxford: Elsevier Butterworth-Heinemann.
Andersson, I. (2014). Placing place branding: an analysis of an emerging research field in human geography. Geografisk Tidsskrift-Danish J Geogr 114(2):143–155
Cudny, W. (2014). Festivals as a subject for geographical research. Geografisk Tidsskrift-Danish J Geogr 114(2):132–142
Cudny, W. & Rouba, R. (2011). Theatre and multicultural festivals in Lodz as a free time management factor among the inhabitants and tourists in the post-industrial city. Acta Geographica Universitatis Comenianae 55(1):3-22
Dinnie, K. (2011). City branding: theory and cases. Basingstoke, Hampshire, Houndmills [England]; Palgrave Macmillan, New York.
Mikkonen, J., & Pasanen, K. (2011). Economic and socio–cultural impacts of two cultural festivals of Savonlinna, Paper for Global Events Congress IV: Events and Festival Research: State of the Art, Leeds.
Festival Research: State of the Art, Leeds [PDF]. (n.d.). Retrieved December 25, 2011, from http://www.eventsandfestivalsresearch.com/files/proceedings/Mikkonen_Pasanen_FINAL.pdf
Ooi, C. S. (2002). Cultural tourism and tourism cultures: the business of mediating experiences in Copenhagen and Singapore. Copenhagen Business School Press DK.
Ooi, C.S. (2010). Branding cities, changing societies. Creative Encounters Working Paper 45:3–17
Ooi, C. S., & Pedersen, J. S. (2010). City branding and film festivals: Re-evaluating stakeholder's relations. Place Branding and Public Diplomacy, 6(4), 316-332.