The Governmental Efforts in Emphasizing Identity through Art Projects “Siwa Oasis studios as a case study”
Abstract
Within each culture, the multi-source origins play an essential role to form its distinct moral and aesthetic values, which emphasize the cultural identity. These values were accumulated through ages. That’s why every single cultural tributary should be traced, to demonstrate the extent of its impact on specific city identity formation.
The Egyptian government pays due attention to Siwa Oasis because of its special historical and cultural characteristics. It happens in co-operation with one of the Culture Ministry sectors "the General organization for Cultural Palaces", that adopted the idea of reviving the project of city studios. Such initiative has been established before at the city of Luxor. For example, a financial and logistic support was provided for the initiative in a similar context.
From this standing point, this paper provides a historical study about Siwa Oasis since its inception at the Ancient Egyptian era and through the Greco-Roman, the Coptic-Islamic era, and the Arab influences till now. Also, I will review the Siwa studios grant: procedures, different sessions and the most interesting aspect of it, which is the exhibitions.
The historical and cultural overview will include: the Significant monuments in the city, location and environment, population and their language, traditions, and custom, and finally, the Siwa Oasis features nowadays.
Reviewing the project stages will include: how to apply? On what bases the participants was chosen? Also, information about the time schedule, the site-visits, etc. Finally, I will analyze some artworks from 2009 till now in order to emphasize the importance of such activity on the cultural map.Full text article
References
Al-Azab, M. S. (2010). Sidi Barrani novel. Cairo: Dar el Shorouk publishing house.
Aldumery, Abdul Aziz. (2016). Siwa and Coast / Past and Present (Second). Alexandria-Yasuo Press.
Aldumery, A. A., & Dalvilt, H. (2012). Siwa Oasis, Heritage tracks. Siwa & Tangier project.
Bahaa, T. (2008). Sunset Oasis novel. Dar el Shorouk publishing house.
Bilancetti, llaria. (2012). Searching for siwan embroidery. Siwa& Tangier Project.
Castellani, S. (2009). Discovering Siwa. Shali Project publication, Ricerca e Cooperazione and COSPE.
Centurini, P. (2008). Shaly restaurare lkarsheef manuale patico. ricerca e cooperazion, associazione Giovanni Secco Suardo, Shali Projec.
Darwish, M. (2009). Alexander the Great monuments in Egypt. Bibliotheca Alexandrina.
Fakhry, A. (1993). The Oases of Egypt, Siwa Oasis. (M. Mokhtar, Trans.) (Vol. 1). The Ministry of Culture, the Egyptian Antiquities Authority.
Fakhry, A. (2007). Pharaonic Egypt, a brief history of Egypt since ancient times up to the year 332 BC. Anglo-Egyptian library.
Malim, F. (2001). Oasis Siwa From the Inside Traditions, Customs & Magic. Al Katan.
Moenes, S. (2006). The unity and variety in forming the ornamental elements in the folk jewelry, field, historical and analytical Study. Helwan University.
Nofal, E., & Hussien, M. (n.d.). Towards management and preservation of Egyptiancultural landscape sitescase study:Siwa Oasis. Retrieved from academia.edu
Tassis, G. (2009). Repatriating prehistoric artefacts to Egypt: Fekry Hassan’s Naqada and Siwa study collections. Archaeology International Journal, 112.
Vivian, C. (2000). The western Desert of Egypt (New Revised Edition). The American university in Cairo press.
Wali, T. (1996). Architectural Hymns, Stay in the desert Architecture approach (First Edition). The Arab Association for printing and publishing: El Bahrain.
Murray, K 2003, Haven: the art and craft of refuge in Tasmania, exhibition catalogue, 27 March-10 May 2003, Salamanca Arts Centre, Hobart, Tas.
Ministry of Culture. (2009). First session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2010). Second session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2012). Third session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2013). Fourth session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2014). Fifth session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2015). Sixth session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Ministry of Culture. (2016). Seventh session [Siwa Studios exhibition]. Cairo, Egypt: The General Organization of Cultural Palaces.
Authors
- The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:
- Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;
With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.
- The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.
- Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.
- The Author represents and warrants that:
- The Work is the Author's original work;
- The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;
- The Work is not pending review or under consideration by another publisher;
- The Work has not previously been published;
- The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; and
- The Work contains no libel, invasion of privacy, or other unlawful matter.
- The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.
This work is licensed under a Creative Commons Attribution 4.0 International License.