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<article xmlns:xlink="http://www.w3.org/1999/xlink" dtd-version="1.3" article-type="research-article"><front><journal-meta><journal-id journal-id-type="issn">2357-0857</journal-id><journal-title-group><journal-title>Environmental Science &amp; Sustainable Development</journal-title><abbrev-journal-title>ESSD</abbrev-journal-title></journal-title-group><issn pub-type="epub">2357-0857</issn><issn pub-type="ppub">2357-0849</issn><publisher><publisher-name>IEREK Press</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.21625/essd.v9i3.1102</article-id><article-categories/><title-group><article-title>A Framework to Enhance Flexible Blended Architectural Design Education</article-title></title-group><contrib-group><contrib contrib-type="author"><name><surname>Makaram</surname><given-names>Dr. Abeer</given-names></name><address><country>Egypt</country></address><xref ref-type="aff" rid="AFF-1"/></contrib><contrib contrib-type="author"><name><surname>Moanis</surname><given-names>Dr. Yasmin</given-names></name><address><country>Egypt</country></address><xref ref-type="aff" rid="AFF-2"/></contrib><aff id="AFF-1">Associate Professor, Department of Architecture, Faculty of Engineering, Delta University for Science and Technology, Egypt</aff><aff id="AFF-2">Assistant Professor, Department of Architecture, Faculty of Engineering, Delta University for Science and Technology, Egypt</aff></contrib-group><contrib-group><contrib contrib-type="editor"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-8754-3523</contrib-id><name><surname>Spina</surname><given-names>Professor Lucia Della</given-names></name><address><country>Italy</country></address></contrib></contrib-group><pub-date date-type="pub" iso-8601-date="2024-9-30" publication-format="electronic"><day>30</day><month>9</month><year>2024</year></pub-date><pub-date date-type="collection" iso-8601-date="2024-9-30" publication-format="electronic"><day>30</day><month>9</month><year>2024</year></pub-date><volume>9</volume><issue>3</issue><issue-title>Towards Sustainable and Resilient Cities</issue-title><fpage>32</fpage><lpage>46</lpage><history><date date-type="received" iso-8601-date="2024-7-20"><day>20</day><month>7</month><year>2024</year></date><date date-type="accepted" iso-8601-date="2024-9-29"><day>29</day><month>9</month><year>2024</year></date></history><permissions><copyright-statement>© 2024 The Authors. Published by IEREK Press. This is an open-access article under the CC BY license (https://creativecommons.org/licenses/by/4.0/). Peer review under the responsibility of ESSD’s International Scientific Committee of Reviewers.</copyright-statement><copyright-year>2024</copyright-year><copyright-holder>Yasmin Moanis, Dr. Abeer Makaram</copyright-holder><license><ali:license_ref xmlns:ali="http://www.niso.org/schemas/ali/1.0/">http://creativecommons.org/licenses/by/4.0</ali:license_ref><license-p>This work is licensed under a Creative Commons Attribution 4.0 International License.The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:The Work is the Author's original work;The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;The Work is not pending review or under consideration by another publisher;The Work has not previously been published;The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andThe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.This work is licensed under a Creative Commons Attribution 4.0 International License.</license-p></license></permissions><self-uri xlink:href="https://press.ierek.com/index.php/ESSD/article/view/1102" xlink:title="A Framework to Enhance Flexible Blended Architectural Design Education">A Framework to Enhance Flexible Blended Architectural Design Education</self-uri><abstract><p>In the last few years, there have been lots of challenges facing the world from pandemics and wars that have raised a series of challenges facing architectural education, which create a challenge for both teachers and students and to which extent they can adapt to the post-digital adaptation period, as well as the future of architectural education in general.</p><p>Architecture and design environments mainly require face-to-face learning and teaching techniques that depend on the interaction between the student and the teacher, where application and practical education take place. Furthermore, studio-designed spaces provide solidarity, positive energy, and motivation for students. Therefore, activating the distance learning process that affect the architectural education strategy and directed institutions and teachers to the necessity of flexibility and adaptation as a part of the structure of architectural education curricula.</p><p>this study is a humble try to evaluate the role of blended learning experiences incorporating architectural design programmes that were first applied after the last pandemic. It focuses on the importance of flexible architectural education through the overlap between the traditional studio and the virtual studio to achieve a positive experience for students and staff members. This is done by observing a design studio procedure during a blended learning period and with the help of a questionnaire for a diverse number of students and faculty members on the subject of architectural design at one of the Egyptian universities that host the architecture department. It is conducted for the purpose of flexible handling through the integration of distance learning with architectural design education in relation to the era of pandemics, the digital age, and the like in the future. The research contributes to developing a future framework that enhances the flexibility of architectural design education, supports self-education, and turns the architectural design studio into an opportunity for reproduction and renewal.</p></abstract><kwd-group><kwd>Architecture design education</kwd><kwd>Flexibility</kwd><kwd>Blended learning</kwd><kwd>Traditional design studios</kwd><kwd>Virtual design studio</kwd></kwd-group><custom-meta-group><custom-meta><meta-name>File created by JATS Editor</meta-name><meta-value><ext-link ext-link-type="uri" xlink:href="https://jatseditor.com" xlink:title="JATS Editor">JATS Editor</ext-link></meta-value></custom-meta><custom-meta><meta-name>issue-created-year</meta-name><meta-value>2024</meta-value></custom-meta></custom-meta-group></article-meta></front><body><sec><title>1. Introduction</title><p>In the early seventies, a philosopher named Donaldson introduced the idea of losing the steady state and called for the establishment of adaptive systems to ease the understanding of the situation. Nowadays, digital technologies, wars, and pandemic crises cause other effects regarding the loss of the steady state <xref ref-type="bibr" rid="BIBR-23">(Salama, 2006)</xref>. Therefore, architectural education, especially architectural design, is going through an unprecedented situation through a transitional emergency model that requires more adaptation to deal with it <xref ref-type="bibr" rid="BIBR-23">(Salama, 2006)</xref>. Besides, during the last pandemic, COVID-19, and after the lockdown of most of the educational institutes and avoiding face-to-face education for health issues, the idea of blended learning, a mix of conventional face-to-face instruction with online educational tools and resources, came as a solution to pass that phase safely <xref ref-type="bibr" rid="BIBR-32">(Zhang et al., 2022)</xref>.</p><p>Most of the educational institutes had to lock down permanently or temporarily. Although some institutions have adapted and continued, others are still facing problems using distance learning as a new concept of interaction between students and teachers in all grades <xref ref-type="bibr" rid="BIBR-2">(Alnusairat et al., 2021)</xref>. This led to a growing sense of chaos in the educational systems and severely hindered progress all over the world. Therefore, educational institutions had to adopt a rapid redesign of the teaching and learning systems that would enable them to get rid of the fear of epidemics, adapt to them, and prepare to deal with any similar possibilities <xref ref-type="bibr" rid="BIBR-20">(Pokhrel &amp; Chhetri, 2021)</xref>. A complete or partial lockdown was imposed on the different universities, which had a great impact on education in general and architecture in particular. Generally, architects depend on practical education. Therefore, peer work, competing, transferring, and sharing ideas are essential. Hence, design studios depend mainly on face-to-face education to help form ideas, transfer experiences, and develop creativity among students of architecture <xref ref-type="bibr" rid="BIBR-19">(Ibrahim, n.d.)</xref>.</p><p>Blended learning, a mix of both face-to-face and online education, was then introduced as an effective tool for a successful strategy in architecture education <xref ref-type="bibr" rid="BIBR-16">(Megahed &amp; Hassan, 2022)</xref>. The suggested blended learning educational model integrates the assistance of both in-person and online learning settings for a more resilient, interactive, and customized learning experience. In the context of architecture education, blended learning provides special benefits such as access to a wide range of materials, the capacity to interact with complicated design tools, and the encouragement of collaborative projects among students <xref ref-type="bibr" rid="BIBR-25">(Singh et al., 2021)</xref>. By hosting blended learning that depends mainly on digital technologies, the students would be able to better visualize and modify their work during the educational process which includes the concept, visual simulation and example analysis, decision-making process, and receiving staff feedback on their design <xref ref-type="bibr" rid="BIBR-28">(Valverde-Berrocoso &amp; Fernández-Sánchez, 2020)</xref>. Furthermore, blended learning encourages the development of key skills such as digital literacy, critical thinking, and problem-solving, all of which are required for modern architects <xref ref-type="bibr" rid="BIBR-30">(Wei, 2023)</xref>.</p><p>M.R. (2020). Furthermore, blended learning encourages the development of key skills such as digital literacy, critical thinking, and problem-solving, all of which are required for modern architects <xref ref-type="bibr" rid="BIBR-30">(Wei, 2023)</xref>.</p><p>In the present study, the authors try to assess blended learning as an advanced teaching tool to fill the gap between face-to-face and online learning at Delta University for Science and Technology (DU), one of the Egyptian universities that offers a credit hour system to the architecture major in engineering. The study focuses on monitoring the sudden isolation of students from tutors in architecture design studios and the procedure that is taken to create a new intermediate educational system. This system is offered with the help of the college portal and other tools offered to the educators by the college, such as the virtual portal, which was improved over time to include organized and timed Zoom meetings to provide more lectures and design meetings.</p><p>Teaching students in virtual online studios paved the way for developing architectural design studios. Therefore, more academic communities attempted to rethink the challenges that can face online virtual studios <xref ref-type="bibr" rid="BIBR-6">(Tong &amp; Uyen, n.d.)</xref>.</p><p>The challenges of blended learning were not just centered on the students but also on the tutors at DU. The entire academic community; especially in the architecture department, was forced to face these challenges despite the experience or tools needed to deal with the students online, such as digital literacy, high-speed internet, and advanced computers or tablets, which facilitate assignment assessment by the tutors <xref ref-type="bibr" rid="BIBR-21">(Rasheed et al., 2019)</xref> During the pandemic, the shift to blended learning created an opportunity for architectural schools to reimagine the learning experience where any medium could be used to deliver effective instruction. Thus, devising new ways and technologies was highly required along with the possibility of changing educators who were unable to adapt to these new challenges <xref ref-type="bibr" rid="BIBR-10">(Komarzyńska-Świeściak et al., 2021)</xref>.</p><p>This research introduces the experience of changing design studios from face-to-face to virtual online design studios in the architecture department at DU. In addition, it discusses the evaluation and the outcomes of the experience introduced during the academic year 2020-2021 for the 4th-grade architecture students (7th and 8th semester), including two design courses in a row for the same educational group in terms of culture center for one module and a mixed-use building for the other module. It highlights the pros and cons of blended learning and how to develop resilient design studios to meet any upcoming changes.</p></sec><sec><title>2. Methodology</title><p>This paper depends on a mixed-methods approach. It uses quantitative data collected through a questionnaire and qualitative data gathered from design studios' observations during the academic year for architecture design studio sessions. The aim of such data is to monitor the effectiveness of blended learning during design studios and to recognize the different challenges and benefits from the point of view of both students and tutors.</p><p>The study sample is mainly selected from architecture students of the 7<sup>th</sup> and 8<sup>th</sup> semesters in addition to some of the faculty members at DU who used blended learning during the pandemic in their architecture design studio courses. The sample includes approximately 60-88 students and 25-35 faculty to provide a balanced view of both experience and practice.</p><p>The research limitations are mainly related to the study at Delta University for Science and Technology where the results refer to the steps taken through the pandemic. Nonetheless, the framework produced could be generalized to other architecture programs.</p></sec><sec><title>3. Architecture design studios (face-to-face)</title><p>Studio-based learning in architectural engineering colleges introduces the students to an environment where they can innovate and develop productive ideas through meeting different peers from different backgrounds and cultures. It enhances and enriches the designing process, starting with the initial idea through design decisions and finally to a new project <xref ref-type="bibr" rid="BIBR-12">(Little &amp; Cardenas, 2001)</xref>. Self-awareness and confidence are two qualities that architecture students cultivate to produce architects who can meet the needs of society. Architecture students' design studios are based on some aims and objectives introduced independently through the program of each faculty. All of these programs take up the same design process that indicates stages beginning with brainstorming, research, and idea development to reach the final product with an appropriate scale and well-defined aesthetic criteria <xref ref-type="bibr" rid="BIBR-7">(Herbert, 1966)</xref>. In this respect, architectural education studios fulfil three specific duties; teaching and practicing some skills such as drawing and performance, teaching the language of the panel and the ability to express, and teaching architectural thinking to solve problems <xref ref-type="bibr" rid="BIBR-22">(Saghafi et al., 2015)</xref>. <xref ref-type="table" rid="table-1">Table 1</xref> offers an overview of the steps needed to design a development plan as follows:</p><table-wrap id="table-1" ignoredToc=""><label>Table 1</label><caption><p>The six steps of the design development plan</p></caption><table frame="box" rules="all"><thead><tr><th colspan="1" rowspan="1" style="" align="left" valign="top">Criteria</th><th colspan="1" rowspan="1" style="" align="left" valign="top">Definition</th><th colspan="1" rowspan="1" style="" align="left" valign="top">source</th></tr></thead><tbody><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="order"><list-item><p>Studio Environment</p><list list-type="bullet"><list-item><p>Physical Space</p></list-item><list-item><p>Resources</p></list-item></list></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top">The studio offered by the institute is designed as a workspace where students can work either in private or in a team. Additionally, the open layout of the studio offers a collaborative and interactive area with access to computers, the internet, libraries, and model-making workshops that facilitate the hands- on nature of studio work.</td><td colspan="1" rowspan="1" style="" align="left" valign="top">Hettithanthri, Upeksha &amp; Hansen, Preben &amp; Munasinghe, Harsha. (2022).</td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>2- Project briefing</p><list list-type="bullet"><list-item><p>Introduction</p></list-item><list-item><p>Research &amp; analysis</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top">The instructor presents the project in a brief outline to ease the process of research. It includes design challenges, objectives, constraints, and requirements. Then, the student goes for the initial research to answer most of the given design questions.</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Hettithanthri, Upeksha &amp; Hansen, Preben &amp; Munasinghe, Harsha. (2022). (Park, Sohyun, (2020).</p><break/></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>3- Concept development</p><p>- Idea generation</p></td><td colspan="1" rowspan="1" style="" align="left" valign="top">It includes the brainstorming phases, developing initial design concepts through sketches, diagrams, and study models, and refining the concept in its early stage, and that phase encourages creativity and exploration.</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Hettithanthri, Upeksha, et al,2022).</p><p>(Park, Sohyun, (2020).</p></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>4-Design development.</p><list list-type="bullet"><list-item><p>Detailed Design</p></list-item><list-item><p>Technical Integration</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top">In this stage, the student moves from the conceptual stage to a detailed design proposal, producing more detailed drawings and prototypes, and gradually integrating the technical aspects such as materials, environmental sustainability, and structural system.</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Hettithanthri, Upeksha &amp; Hansen, Preben &amp; Munasinghe, Harsha. (2022).</p><p>(Park, Sohyun, 2020).</p></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>5- Critiques and Reviews</p><list list-type="bullet"><list-item><p>staff comments</p></list-item><list-item><p>group discussion</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top">Students exchange their knowledge through public discussions during prefinal presentations. Additionally, staff members offer one-to-one discussion feedback and guidance to help students overcome specific design challenges.</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Hettithanthri, Upeksha &amp; Hansen, Preben &amp; Munasinghe, Harsha. (2022). (Park, Sohyun, 2020).</p><break/></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>6- Final Presentation</p><list list-type="bullet"><list-item><p>Jury Review</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top">The final electronic or freehand presentation material collected throughout the design class and after refinement and correction includes final drawings, renderings, models, and a cohesive narrative outlining the design process and solutions.</td><td colspan="1" rowspan="1" style="" align="left" valign="top">Hettithanthri, Upeksha &amp; Hansen, Preben &amp; Munasinghe, Harsha. (2022). (Park, Sohyun, 2020).</td></tr></tbody></table></table-wrap><p>Face-to-face design studios are considered a difficult, engaging, and interactive process that involves the practical participation of the students during the design studio. Students develop both technical and creative problem-solving abilities via hands-on work, regular feedback, and collaborative learning, which prepares them for the complexities of professional architectural practice <xref ref-type="bibr" rid="BIBR-1">(Adiloglu, 2011)</xref>.</p><p>Chicago Architecture Center (CAC) defines six steps of the architecture design process (<xref ref-type="fig" rid="figure-1">Figure 1</xref>): defining the problem, collecting information, brainstorming and analyzing ideas, developing solutions, gathering feedback, and improving <xref ref-type="bibr" rid="BIBR-4">(Center, 2019)</xref>.</p><fig id="figure-1" ignoredToc=""><label>Figure 1</label><caption><p>The 6 steps of the design process according to the Chicago Architecture Center (Source: https://discoverdesign.org/handbook, adapted by the researcher)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4758" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><fig id="figure-2" ignoredToc=""><label>Figure 2</label><caption><p>The theoretical basis of the assessment framework (a) Five learning dimensions; (b) Learning pyramid (Liu, 2021)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4759" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><p>The learning pyramid shown in <xref ref-type="fig" rid="figure-2">Figure 2</xref> demonstrates the effectiveness of different teaching methods that require students to participate actively in the learning process. It is divided into two groups: passive learning (the first four layers) and active learning (the last three layers) <xref ref-type="bibr" rid="BIBR-26">(Tabrizi &amp; Rideout, 2017)</xref>. Bloom's classification (<xref ref-type="fig" rid="figure-8dspi4">Table 2</xref>) depicts the level of quality that is achieved in the different stages in the architectural design studio <xref ref-type="bibr" rid="BIBR-27">(Yildirim &amp; Yavuz, n.d.)</xref>. Moreover, <xref ref-type="fig" rid="figure-3">Figure 3</xref> links the learning pyramid to the architectural design process through Bloom's classification.</p><fig id="figure-8dspi4" ignoredToc=""><label>Table 2</label><caption><p>Bloom Taxonomy in Architecture Design Studio (Source: Nik Ibrahim, Nik Lukman &amp; Utaberta, Nangkula. 2012)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4760" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig></sec><sec><title>4. Flexibility and adaptability of architectural design studios</title><p>Multiple discussions have emerged on the challenges of architectural education after the last crises including pandemics and other unstable conditions <xref ref-type="bibr" rid="BIBR-17">(Saleh &amp; Abdelkader, n.d.)</xref>. One of the challenges is the role of teachers and institutions to provide flexibility to adapt the blended learning idea as part of the structure of the architectural education curricula. Moreover, another challenge is the emergence of information and communication technology (ICT) and the necessity of integrating it into architectural education. This helps to provide a variety of knowledge to the learning process. Technology is widely used in the field of architecture and is used in all design and manufacturing processes. Therefore, digital computer technology has a great impact on architectural education as it is used to create fundamentally new educational experiences and programs. In response to the post-pandemic period, a reconsideration of architectural education using default settings is adopted. The use of information and communication technology in architectural education offers new teaching practices in architectural design studios and improves student performance.</p><fig id="figure-3" ignoredToc=""><label>Figure 3</label><caption><p>Linking the learning pyramid to the architectural design process via Bloom's classification (Liu, 2021) </p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4761" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><table-wrap id="table-sb3r58" ignoredToc=""><label>Table 3</label><caption><p>A comparison between face-to-face and virtual design studio application</p></caption><table frame="box" rules="all"><thead><tr><th colspan="1" rowspan="1" style="" align="left" valign="top"/><th colspan="1" rowspan="1" style="" align="center" valign="top">Face-to-face Architectural Education</th><th colspan="1" rowspan="1" style="" align="center" valign="top">Online learning</th><th colspan="1" rowspan="1" style="" align="center" valign="top">Source</th></tr></thead><tbody><tr><td colspan="1" rowspan="1" style="" align="left" valign="top">Techniques</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Working with their own hands</bold>: Essential to architecture education, allowing students to work on tangible models, drawings, and collaborative projects and ensure that the student fully understands the application of the design project.</p></list-item><list-item><p><bold>Self and group criticism</bold>: conscious comments from instructors and peers during design critiques and juries.</p></list-item><list-item><p>-Workshops and laboratories: provide access to specialist equipment and resources for model-making, manufacturing, and other hands-on activities.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Digital Design Tools</bold>: Design assignments mostly is carried out using CAD software, BIM tools, and virtual modeling platforms to ease the process of handling and sending.</p></list-item><list-item><p><bold>Self and group criticism</bold>: Virtual studio sessions, presentations, and critiques may be conducted online using systems such as Zoom, Miro, and advanced tools to help the process.</p></list-item><list-item><p><bold>Interactive Tutorials and Simulations:</bold> Use video lessons, virtual reality, and augmented reality to create interactive learning experiences and virtual walkthroughs.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Mebert, L.,</p><p>Barnes, R.,</p><p>Dalley, J.,</p><p>Mebert, L., Barnes, R., Dalley, J., Gawarecki, L., Ghazi-Nezami, F., Shafer, G., … Yezbick, E. (2020). Salama, Ashraf &amp; Crosbie, Michael. (2020).</p></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top">Methods</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Lecture-Based Learning</bold>: Traditional classroom lectures covering architectural theory and history.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Studio Culture</bold>: a collaborative learning setting in which students work alongside one another, encouraging peer learning and mentoring.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Field outings and site visits</bold>: Visits to architectural sites and projects for experiential learning.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Recorded and artificial connection</bold>: Pre-recorded lectures and materials are available at any time, enabling self-paced learning.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Synchronic Sessions</bold>: Participate in live online classes and discussions with professors and peers in real-time.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Digital Collaboration Tools</bold>: Use systems such as Google Drive, Slack, and Trello for collaborative work and communication.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Le, Kien. 2022.</p><p>Mebert, L., Barnes, R., Dalley, J., Gawarecki, L., Ghazi-Nezami, F., Shafer, G., … Yezbick, E. (2020).).</p><p>Salama, Ashraf &amp; Crosbie, Michael. (2020)..</p></td></tr><tr><td colspan="1" rowspan="1" style="" align="left" valign="top">Time-consuming</td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Lecture in Campus Time</bold>: The time spent getting to and from campus and between classes.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Classes timetable</bold>: Classes and studio sessions follow a set timetable, which may affect flexibility.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Extended Studio Hours</bold>: Working long hours in the studio, especially around project deadlines, can be helpful for students who need extra care to ensure a better understanding of the information.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><list list-type="bullet"><list-item><p><bold>Flexibility</bold>: Reduced traveling time and more flexible scheduling help students to better manage their time.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Time Management</bold>: Self-discipline and time management skills are required to keep up with asynchronous content and deadlines.</p></list-item></list><list list-type="bullet"><list-item><p><bold>Potential for Increased Efficiency</bold>: Streamlined procedures and digital technologies can speed up some operations, such as exchanging digital models and getting feedback.</p></list-item></list></td><td colspan="1" rowspan="1" style="" align="left" valign="top"><p>Le, Kien. 2022.</p><p>Mebert, L., Barnes, R., Dalley, J., Gawarecki, L., Ghazi-Nezami, F., Shafer, G., … Yezbick, E. (2020).).</p><p>Salama, Ashraf &amp; Crosbie, Michael. (2020)..</p></td></tr></tbody></table></table-wrap><p>Developing teaching methods in architectural design studios to adapt the new online method helps to reformulate the way architects learn by integrating face-to-face learning with online learning. This, in turn, helps to modernize the concept of design studio and transform it into new participatory learning by integrating technical methods and applying digital tools to carry out the process of blended learning <xref ref-type="bibr" rid="BIBR-3">(Soliman, 2017)</xref>. Thus, a common ground space for education is created so that students and teachers can work and communicate with everyone regardless of their place and time <xref ref-type="bibr" rid="BIBR-14">(Masdéu &amp; Fuses, 2017)</xref></p><p>The combination of traditional methods and digital technologies enables the students to acquire new professional skills and master digital technologies to manage the dissemination of architectural knowledge, improve their ability to learn, and enhance the acquisition of educational experiences by encouraging them to develop new interests and relationships outside the studio and the academic environment. The use of information and communication technology provides tools and scenarios that are distinguished, mobile, and connected to the network <xref ref-type="bibr" rid="BIBR-14">(Masdéu &amp; Fuses, 2017)</xref>.</p></sec><sec><title>5. Design studio in architecture design courses (a monitored class)</title><p>Courses in design are compared to other architecture courses which carry the highest average number of contact hours per week. Other subjects such as Construction Technology, Architectural History and Theory, Environmental Physics, Design Communication, and others have to support design studio learning each semester. In general, design studios continuously provide students with the knowledge and expertise necessary in order to fulfill the aims and objectives of the course specification introduced through the architecture program offered by each educational system <xref ref-type="bibr" rid="BIBR-31">(yıldırım, 2012)</xref>.</p><p>Architectural design education aims at improving creativity and differs from other educational systems. It is based on providing an environment in which information is transferred directly from the teacher to the student and new solutions are found. The main feature of an architectural design studio is the interaction between students and teachers <xref ref-type="bibr" rid="BIBR-31">(yıldırım, 2012)</xref>. Developing the students' imagination in design and allowing them to innovate and conduct architectural design that has a smooth dialogue and balance between function and aesthetic thinking is the desired product for the interaction in the design studio. Design Studios teaches architectural students how to work in both intuitive and practical situations. Students in design studios use a variety of communication strategies and approaches to exhibit their architectural ideas and creativity, including drawings, physical models (<xref ref-type="fig" rid="figure-4">Figure 4</xref>), computer models, photography, video clips, and more.</p><fig id="figure-4" ignoredToc=""><label>Figure 4</label><caption><p>Part of the interactive teamwork inside the design studio for a residential house (Source: architecture class 2020/2021)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4762" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><p>The targeted university's architecture curriculum contains a core section for architectural design courses represented by six core modules in a row. The modules are designed to prepare the student with the needed principles, practical application, and theoretical knowledge required to move on with the design process's courses aimed to enhance creativity, and critical thinking, and consider the inference of the environmental discipline. The first modules introduce students to the basic principles of architectural design, spatial organization, and visual communication and range from small residential units to designing units in clusters. The second module introduces the design of public and civic buildings, with an emphasis on creating spaces that enhance community well-being. The third module mainly investigates the environmental and sustainable design concepts in bigger and more complicated public buildings. The fifth module introduces the complexity of building projects, like high-rise buildings and mixed-use buildings. The last module mainly works on the design and planning scale concerning professional architecture practice, where the student should respect project management, culture, and client relations and needs.</p><p>The targeted design modules were the fifth and sixth modules, where students were orientated toward a mixed-use building and a culture center in the context of the new Mansoura city.</p><p>Contact hours of design studios usually range from four to six hours per week. A design studio consists of at least 6 contact hours per week; one hour for theoretical data illustration and lectures, and the remaining five hours for discussion and assessment of the students' work. It is mainly dedicated to improving the design ideas of the students, especially for those who have design problems or are delayed in their ideas for the project <xref ref-type="bibr" rid="BIBR-9">(Hettithanthri et al., 2022)</xref>.</p><p>At Delta University for Science and Technology, Egypt, many design courses usually follow the basic design stages and project development stated in the course specification, starting with the research and problem finding, discussing research outcomes, extracting design decisions from the previous studies, and research as a first step. The second step, which takes a longer time, is to develop the design decisions made to meet the complexity of functions in any proposed project <xref ref-type="bibr" rid="BIBR-4">(Center, 2019)</xref>. The third step is to extract the 3D dimensions of the project to be closely examined and ensure that they meet the function and needs of the building to be designed.</p><p>Furthermore, for the architectural department at Delta University for Science and Technology, virtual studios face some obstacles within the three phases. This encourages the course coordinators to overcome the problem of interaction by making many assignments and increasing the hours of virtual contact with the students by way of dividing them equally among the three phases with each coordinator. Further effort is exerted to update the tools of the coordinators to narrow the gap between old computers and laptops with no actual interaction and the more advanced and high-tech tools for better and faster interaction.</p><sec><title>5.1. Managing Blended Architectural Studios</title><p>Many architecture academic professors believe that architecture design studios cannot be activated online via virtual studios as they should be interactive and fruitful <xref ref-type="bibr" rid="BIBR-5">(Ceylan et al., 2020)</xref>. While trying to boost creativity through online meetings and assignments, blended architecture studios proved to be possible. However, much effort is required to complete the process. The following plan (<xref ref-type="fig" rid="figure-9h53ht">Figure 5</xref>) is extracted as new practices that use information and communication technology are developed. The architecture department is used as a case study to enhance and develop the idea of blended learning.</p><p>It helps and boosts the educational system, especially those courses that need direct interaction, such as architectural design, building construction, and execution drawing courses. It depicts the following steps:</p><list list-type="bullet"><list-item><p>First, all the academic lectures and educational material should be uploaded weekly for the students with the required assignments attached and explain how to handle the feedback through the DULMS platform.</p></list-item><list-item><p>Second, schedule a Zoom meeting for students to discuss their work in teams or individually after dividing them into groups by the staff members.</p></list-item><list-item><p>Third, give a graded weekly assignment on a due date similar to the ones they used to have during the actual meeting in the architectural studio.</p></list-item><list-item><p>Fourth, after they can access the assignment, students can download the assignment and start working on it either manually or freehand, especially at the early stages of the design studio, and then upload their work online on the link of the assignment.</p></list-item><list-item><p>Fifth, the academic staff starts to download the assignments of the students individually and review them with both manual and written feedback for students (<xref ref-type="fig" rid="figure-6">Table 4</xref>). Extra time could be given to students who need help to boost their work. Throughout the whole process, DULMS, which acts as the web portal, is the main communication tool in the design studio.</p></list-item></list><fig id="figure-9h53ht" ignoredToc=""><label>Figure 5</label><caption><p>The plan developed by the department to engage face-to-face and online learning altogether (Source: The auother)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4763" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><p>Design studios are mostly known for adapting the idea of a final jury to help all students get comments from their peers and tutors to improve and enhance the design idea of the whole project, which is disabled by moving to online learning and virtual design juries <xref ref-type="bibr" rid="BIBR-29">(, n.d.)</xref>. The architecture department introduced the smart projector with an interactive face, which helped the tutors get more information and interactions with their students through virtual meetings and virtual juries.</p><fig id="figure-6" ignoredToc=""><label>Table 4</label><caption><p>The virtual design studios -Fifth Phase- Download the assignment -Editing- Private comments (Source: The researchers)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4764" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><fig id="figure-r7fri1" ignoredToc=""><label>Figure 6</label><caption><p>The difference between virtual and face-to-face jury (Source: The auother)</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4765" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig></sec></sec><sec><title>5.2. Design studios results and participation</title><list list-type="bullet"><list-item><p>Survey on students’ perception of blended learning design studios</p></list-item></list><p>After the challenging conditions posed by the pandemic experienced in the past few years, online learning was brought to the surface. Educators and students face the challenge of adapting to the online learning technique to complete the academic semester effectively <xref ref-type="bibr" rid="BIBR-8">(Gritsova &amp; Tissen, 2021)</xref>.</p><p>Students have to face many challenges, especially in handling their work online through DULMS. In addition to upgrading computers and laptops to cope with the digital system software AutoCAD or 3D MAX, students face other challenges such as poor connection, printers, drawing papers and study model materials, and many other obstacles while receiving and sending their assignments.</p><p>Therefore, an investigating and monitoring survey is conducted after the end of the online design courses to evaluate the real impression of online learning, stand on the problems that the students face, and overcome future problems while enhancing the system of learning.</p><p>The survey is mainly conducted on architectural design students with varied levels of GPA to examine their opinions and experience of online learning for design studios throughout the term. It includes the second-, third-, and fourth-year students of architectural design studios. Moreover, the survey is designed on the Google Forms platform as a free online survey tool.</p><p>The survey mainly consists of thirty-three questions attached to an introduction about the students' GPA, level, age group, and the current design studio they enrolled in. It is made up of two essay questions and thirty MCQ questions. Most of the questions are designed to measure the satisfaction of the student while using the online portal; how they manage to submit their digital work online and how they evaluate all aspects of the design process. An additional question is added to get the students' feedback on how to improve online architectural studios.</p><p>The survey received 88 responses, 31 female and 57 male, with a GPA ranging from 1.5 to 3.7. It targeted mostly students from levels 3 and 4 who are enrolled in architectural design 4 and 5.</p><list list-type="bullet"><list-item><p>Results of the survey (students)</p></list-item></list><p>According to the survey, 52.6% of the students believe that technology has aided the online learning process, while 26.3% have a contrary viewpoint. In addition, 63% think that it is easy to deal with the online DULMS portal of the college while 36.8% think it was not that easy. Where assignments are uploaded by staff members, 39.5% of the students find it easy to understand while 13.2% find it difficult and require more illustration (<xref ref-type="fig" rid="figure-6">Table 4</xref>).</p><p>As concerning the direct contact between the student and his/her staff member, which is a key component of architectural design studios, 44.7% of the students agree that they could communicate and make discussions directly through Zoom and other online meetings, while 23.7% disagree that they could contact their staff members as freely as direct contact in design studios. Most of the students with a percentage greater than 63.2% attend the online lectures on time, while the rest prefer recorded lectures, which allows them to concentrate more while studying (<xref ref-type="fig" rid="figure-6">Table 4</xref>). Most of the students, 63.2%, did not find any problem dealing with the university portal whereas 36.8% found it useless. In addition, 44.7% of the students find that, in distance learning, dealing with teamwork during studio is an easy task whereas 42.1% think differently. In short, the students rated the whole online experience by an average of 7 out of 10 (<xref ref-type="fig" rid="figure-lz31tu">Table 5</xref>).</p><fig id="figure-lz31tu" ignoredToc=""><label>Table 5</label><caption><p>The student’s questioner results about the direct contact between them and using technology</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4766" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><p>The results of the previously mentioned survey are assessed independently according to the sequence of the questions and with respect to the student's opinion throughout the whole process. All are linked and related to the student level inside the real and the virtual studio.</p><p>The results and answers mainly show that students at the lower level are very excited about continuing the rest of the architectural design studios online using technological means (laptops, projectors, presentations, etc.)</p><fig id="figure-zstplq" ignoredToc=""><label>Table 6</label><caption><p>The student’s questioner results about the direct contact between them and the staff members</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4767" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><list list-type="bullet"><list-item><p>Faculty and Department Questionnaire Results</p></list-item></list><p>Another questionnaire is conducted to examine the perspectives of the academic staff regarding the experience of blended learning and its outcomes, particularly on design studios and practical courses. It aims to provide a comprehensive picture and to better serve the community and the department. The findings are used to assess online and distance learning in the department and faculty services unit and identify the areas of improvement.</p><p>The questionnaire is available in an online form to facilitate the transfer of data. It consists of 17 questions involving the academic experience of the staff during the period of the COVID-19 pandemic.</p><p>The survey collected 32 responses, 72.2% from assistant professors, 18.2% from associate professors, and 9.1% from associate professors. 72.7% are female and 27.3% are male academic staff members. 36.4% of the courses studied during COVID-19 are graduation courses and design (4) (third level), compared to 18.2% for design (3) (second level) and design (1) and 9.1% (level 1).</p><fig id="figure-7" ignoredToc=""><label>Figure 7</label><caption><p>Part of the academic staff questionnaire results</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4768" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig><p>Most of the respondents (<xref ref-type="fig" rid="figure-7">Figure 7</xref>) have taught design several times before. A percentage of 90.9% and 9.1% of the academic staff members have no experience in design studios before that year.</p><p>By asking about the ability of distance learning to "help students at different levels," most of the answers are negative, with a percent of 45.5 to 36.4 positive answers. Additionally, 18.2% strongly agree that it can help the students and give good results in design studios. Finally, 54.6% agree that distance learning can help students in different learning aspects whereas 45.5% disagree.</p><p>One of the most common problems introduced by the questionnaire is that most of the time it is difficult to connect online. Most of the academic staff members stated that the number of students in online classes is way less than in the real design studio. Moreover, it is stated that the most important tool in distance learning is smart boards and the high technology applied to computers inside the campus, followed by the importance of a high-speed internet connection accompanied by professional teaching staff.</p><p>Most of the academic staff members agree that the online content for the course is available and clear to be evaluated using DULMS or any other virtual meeting class with a percentage of 63.6 to 27.3. Additionally, the process of online evaluation is clearer and easier. Furthermore, they stated that the online design studio takes much more time than the real design studio as they have to work with each student individually.</p><p>Most of the recommendations stated by the academic staff members do not support full-time distance learning and encourage the process of blending both online and face-to-face studios. Some important notes are mentioned as follows:</p><list list-type="bullet"><list-item><p>Design courses should be developed to cope with the online interactive studio timetables for both students and teachers and to be more flexible to adapt to the e-learning timing studios as it takes more time to aid in the process.</p></list-item><list-item><p>Students should enroll in basic computer skills programs.</p></list-item><list-item><p>Blended learning makes education more accessible.</p></list-item><list-item><p>Distance learning is not an efficient learning method.</p></list-item><list-item><p>It is preferable to communicate with students face-to-face throughout the process where tools to assist students in learning could be much better.</p></list-item><list-item><p>Online learning is great for helping students who would not otherwise have access to university courses.</p></list-item></list></sec><sec><title>6. Results</title><p>The whole experience of transforming online architecture design studios into virtual studios is an evolution in the educational systems. Dealing with the pandemic or other crises that involve blended learning through this development presents real opportunities and challenges. The study indicates that most students are connected to the use of online technological tools and are open to the experiment as they are accustomed to interacting with social media platforms and online meetings on both the social and educational levels. They view the studio as a platform that they can handle more effectively. Additionally, most of the recommendations stated by the academic staff members do not support full-time distance learning and encourage the process of blending both online and face-toface studios.</p><p>The research contributes to developing a framework (<xref ref-type="fig" rid="figure-8">Figure 8</xref>) that links the architectural design process and the learning pyramid through two groups: passive learning and active learning. It demonstrates the effectiveness of different teaching methods that require students to actively participate in the learning process through Bloom's taxonomy in the architectural design studio, which takes into account the level of quality achieved at different stages.</p><p>Based on the previous results, the research introduces a framework that enhances flexible blended learning in architecture studios as follows (<xref ref-type="fig" rid="figure-8">Figure 8</xref>).</p><p>The integration of face-to-face design studios and remote learning contributes to the creation of a more flexible, inclusive, and successful learning environment for architectural design students. It makes architectural education more accessible to a broader spectrum of students, such as part-time students, international students, and those with physical disabilities. Students can better organize their time by reviewing previously recorded lectures or feedback sessions. In addition, technology can be optimized by combining manual and digital processes, both of which are crucial in modern architectural education.</p><p>On the one hand, combining association and teamwork gives the students an opportunity to be more prepared for the globalized nature of the architectural profession, which frequently demands distant interaction with overseas teams. Besides, the feedback mechanism is improved to provide the students with a range of feedback techniques and quick replies to respond to the comments of their touters online. On the other hand, blended learning helps to maintain sustainability within the learning environment allowing a reduction of the physical resources.</p><fig id="figure-8" ignoredToc=""><label>Figure 8</label><caption><p>Framework that enhances the flexible blended learning in architecture studios as follows offered by the researchers</p></caption><graphic xlink:href="https://press.ierek.com/index.php/ESSD/article/download/1102/1195/4769" mimetype="image" mime-subtype="png"><alt-text>Image</alt-text></graphic></fig></sec><sec><title>7. Conclusion</title><p>By combining face-to-face design studios with distant learning via visual technologies, architectural education becomes more adaptable, accessible, and in line with the current practice. Students benefit from in-person engagement and hands-on learning while simultaneously gaining important digital skills and cooperating in a globalized setting. This hybrid method improves learning results and flexibility in professional architecture situations.</p><p>The study concluded that the characteristics and nature of the design studio should govern the entire process of architectural design courses. Furthermore, this process should be integrated and equipped with online and virtual studios that are in line with the digital age to promote more blended learning and provide more flexible teaching methods for students in the architectural design studio. This integration facilitates the continuity of education in times of isolation and disasters and promotes self-learning and time management. Additionally, it simplifies the process of evaluation and criticism of student projects at some stages of the design process which has a significant impact on developing the future path of architectural education toward more interactive and dynamic architectural design studios.</p><p>The research contributes to developing a framework (<xref ref-type="fig" rid="figure-8">Figure 8</xref>) that promotes blended learning for the architectural design process to provide more flexible teaching methods for students in the architectural design studio. It combines the traditional studio that provides a stimulating work environment, achieves solidarity, and gives positive energy to students with the virtual studio that promotes self-learning, brainstorming, and skills. This can be achieved through meetings with diverse practices of specialists, professionals, and faculty members to enhance their experiences and educational capabilities. Thus, it helps students to be more creative and productive. In addition, it saves students time and costs in the development, presentation, and evaluation stages, helps expand the design studio with digital technology, and creates a fun interactive learning environment through social, physical, and virtual environments. This study opens the way for many studies to enhance flexibility in teaching through architectural design studios. It attempts to achieve several future goals that focus on mastering digital technologies to manage the dissemination of architectural knowledge and improve the quality of architectural design education.</p></sec><sec><title>Acknowledgment</title><p>Not applicable.</p><sec><title>Funding declaration</title><p>This research did not receive any specific grant from funding agencies in the public, commercial, or not-for-profit sectors/individuals.</p></sec><sec><title>Ethics approval</title><p>Not applicable.</p></sec><sec><title>Conflict of interest</title><p>The authors declare that there is no competing interest.</p></sec></sec></body><back><ref-list><title>References</title><ref id="BIBR-1"><element-citation publication-type="article-journal"><article-title>Visual communication: Design studio education through working the process</article-title><source>Procedia - Social and Behavioral Sciences</source><volume>28</volume><person-group 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