2024-03-28T19:31:18Z
https://press.ierek.com/index.php/ARChive/oai
oai:press.ierek.com:article/139
2023-11-07T07:30:03Z
ARChive:ART
driver
v2
https://press.ierek.com/index.php/ARChive/article/view/139
2023-11-07T07:30:03Z
IEREK press
Vol. 1 Issue 1 (2017): Proceedings of the first international conference on: Cities' Identity through Architecture and Arts; 7
Public Art Development
Ismail, Hassan Ahmed; BArch, Cairo University MDesR, SCI-Arc, Egypt
2017-09-18
The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:The Work is the Author's original work;The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;The Work is not pending review or under consideration by another publisher;The Work has not previously been published;The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andThe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.This work is licensed under a Creative Commons Attribution 4.0 International License.
url:https://press.ierek.com/index.php/ARChive/article/view/139
Public Art Development
Built Environment Challenges
Advertising practices
Construction industry
Urban observations
Façade colors and patterns
Organized randomness
Creative efforts and contributions
Commercial street art
Decorative concrete
en_US
Please allow me to express my interest in participating in the event; the agenda and objective are of high significance for discussing the maturity and development of a sustainable "cultural and creative infrastructure" powered by cultural policies and practices. Involvement and lobbying for such topics is essential for the cultural and creative dynamics where creative cities attract creative people.While navigating through a search engine and typing a name of a city, the first images to appear visualize the built environment of the city. For instance when you type Cairo into Google, you will be mainly looking at the Pyramids and built environment around the Nile in addition to the Old City of Cairo. If you type in New York you will find images of skyscrapers positioned around the natural landscape of the city, and so on and so forth.Thus tourism depends a lot on the built environment and the touristic standard is subject to the built environment, type and quality of tenants attracting the general public and of course the natural landscape.Arts and architecture play an important role among the built environment having both tangible and intangible economic impacts resulting from touristic attractions as well as other means; Cairo was once described as the most beautiful city in the world with the rich urban fabric and prosperity of the arts and architecture.In a country like Egypt where segmentation between the different social levels is becoming a real threat for future generations, it is crucial to work with all stakeholders including the authorities, civil society and the general public with objectives that would aim to serve all interests and gain a positive public opinion.
oai:press.ierek.com:article/241
2023-11-07T07:30:03Z
ARChive:ART
driver
v2
https://press.ierek.com/index.php/ARChive/article/view/241
2023-11-07T07:30:03Z
IEREK press
Vol. 2 Issue 2 (2018): Proceedings of the international conference: Cultural Sustainable Tourism; 7
The Study of Integrated Conservation of four Villages in Mian Mountain
Ding Yi, Zhang Yu; Huazhong University of Science and Technology, Wuhan, China
2018-05-27
The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:The Work is the Author's original work;The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;The Work is not pending review or under consideration by another publisher;The Work has not previously been published;The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andThe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.This work is licensed under a Creative Commons Attribution 4.0 International License.
url:https://press.ierek.com/index.php/ARChive/article/view/241
Mian Mountain
fortress
historical villages
conservation
Tourism
en_US
The current study on the micro level of single-building protection and repair is relatively complete, however, the discussion about elements of cultural heritage and their relevance among the ancient villages is comparably insufficient. The protection work is strongly influenced by tourism development and cultural gimmick, thus resulting in low protection efficiency and many omissions. Historical village as the cultural settlement patterns bears a large number of heritage relics. They were regionally scattered with a clear characteristic of gathering. The article takes these four historical villages in Mian Moutain as an example, relying on the historical time period theory, then tries to look for the association and similarities of the forming mechanism between villages. The article discusses the integrated conservation from three levels: the regional heritage conservation, the cultural line shaping, and the featured brand building.
oai:press.ierek.com:article/243
2023-11-07T07:30:03Z
ARChive:ART
driver
v2
https://press.ierek.com/index.php/ARChive/article/view/243
2023-11-07T07:30:03Z
IEREK press
Vol. 2 Issue 2 (2018): Proceedings of the international conference: Cultural Sustainable Tourism; 5
Destination Studies – An Institution
Ghosh, Sayak; Dip TT(Mgt), Montreal, Canada
2018-05-27
The Author shall grant to the Publisher and its agents the nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution 4.0 License or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions:Attribution: other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;With the understanding that the above condition can be waived with permission from the Author and that where the Work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license.The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post online a pre-publication manuscript (but not the Publisher's final formatted PDF version of the Work) in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work shall be updated upon publication to include a reference to the Publisher-assigned DOI (Digital Object Identifier) and a link to the online abstract for the final published Work in the Journal.Upon Publisher's request, the Author agrees to furnish promptly to Publisher, at the Author's own expense, written evidence of the permissions, licenses, and consents for use of third-party material included within the Work, except as determined by Publisher to be covered by the principles of Fair Use.The Author represents and warrants that:The Work is the Author's original work;The Author has not transferred, and will not transfer, exclusive rights in the Work to any third party;The Work is not pending review or under consideration by another publisher;The Work has not previously been published;The Work contains no misrepresentation or infringement of the Work or property of other authors or third parties; andThe Work contains no libel, invasion of privacy, or other unlawful matter.The Author agrees to indemnify and hold Publisher harmless from Author's breach of the representations and warranties contained in Paragraph 7 above, as well as any claim or proceeding relating to Publisher's use and publication of any content contained in the Work, including third-party content.This work is licensed under a Creative Commons Attribution 4.0 International License.
url:https://press.ierek.com/index.php/ARChive/article/view/243
Maps
Destination Studies
The Institute of Destination Studies
Education and Tourism
Cultural Tourism and Employment
Tourism
en_US
First of all, we must understand that there are various aspects of tourism with respect to its beauty, aesthetics, technical parameters, trade & commerce, training & education, innovation etc. If anyone wants to find the bondage between education and tourism, there can be various topics, concepts, factors, and parameters to portray the entity. Again, if Education is an aspect of tourism, then we can formulate a tourism course subject to beauty, aesthetics, technical parameters, trade & commerce, innovation and, last but not the least, the destinations – The prime capital for tourism; as a tourist has a destination whereas a traveler does not. So, pertaining to education and tourism, I shall focus on destination studies.It would be better to admit that tourism is the most special segment of human geography. This subject leads us to understand our planet and the culture of the world better than any other subject. So, we must also find a scientific way of studying tourism to understand the human race better. To start with, we must focus on the different destinations of the world, their geography – how to reach there, their culture, their heritage, their history, their socio-economy, interesting places to visit there etc. Once we grab it we have almost grabbed the major portion of the subject named tourism. So, let’s proceed.